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DANCING ON THE EDGE
By Christopher M. Wright
If you think pop music has
nothing left to show you, take in Vienna Teng's third album
Dreaming Through the Noise. There's a lot here, but you have to crawl
through
some dark places
to get it. The lyrics are almost uniformly cryptic and disturbing:
Pretty chilling, wouldn't you say? Not exactly 'yummy, yummy, yummy, I got love in my tummy' (Top 40 song from the '60s). Who knows what's she's really like, but on this album Teng affects to be a soul dancing on the edge of destruction, a canary in a coal mine aware of her predicament. And we're transfixed, like watching a car wreck. The album has an integrity that reminds me of Elton John's Tumbleweed Connection and Cat Stevens' Tea for the Tillerman. Something about it tells me this is good honest work at a level the artist may not reach again (which, for me at least, turned out to be the case with Tumbleweed and Tea - I hope not in Teng's case). Teng's melodies flow, the harmonic structure is adventurous in parts, and the classical instrumentation (piano and strings) suits the seriousness of the subject matter well.
I can't remember the last time a pop album
affected me this much. But then again, this isn't really pop music. It's Teng's
art, and you don't know if it's going to heal her or send her over the edge.
Don't let any disturbed members of your family near it. But for the rest
of us, it's sublime.
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