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DANCING ON THE EDGE
- Vienna Teng Hits a Nerve with 'Dreaming'
By Christopher M. Wright
© 2007 Christopher M. Wright
All Rights Reserved
SAMPLE THE
MUSIC ON AMAZON
Concert Dates Here
Hard to find good music these days? Here are
some albums worth listening to. These recommendations are completely independent
- AIM accepts no promotional fees or CDs whatsoever. The music rises or falls on its own
merits. To be recommended, the music has to find its way into
my collection and get played repeatedly. That rates an 'Honorable
Mention' while 'Discovery',
AIM's highest distinction, is reserved for those rare occasions when the music is
among the best of its kind.

If you think pop music has
nothing left to show you, take in Vienna Teng's third album
Dreaming Through the Noise. There's a lot here, but you have to crawl
through
some dark places
to get it. The lyrics are almost uniformly cryptic and disturbing:
 | "I am the last one you'd ever suspect of
setting the fire, but as you switch on your TV tomorrow morning, you'll
hear...." |
 | "the quiet night that breaks me, like a
dozen papercuts...." |
 | "truth this time is an ugly child" |
 | "Lake Pontchartrain is haunted: bones
without names, photographs framed in reeds" (inspired by Hurricane Katrina) |
 | "I am nothing without you, but I don't
know who you are" |
 | "I don't feel so well. I thought that
you should know...." (i.e., don't fall in love with me) |
 | "he was a beautiful fiction I invented
to keep out the cold" |
Pretty chilling, wouldn't you say? Not
exactly 'yummy, yummy, yummy, I got love in my tummy' (Top 40 song from the
'60s).
Who knows what's she's
really like, but on this album Teng affects to be a soul dancing on the edge
of destruction, a canary in a coal mine aware of her predicament. And we're
transfixed, like watching a car wreck.
The album has an integrity that reminds me of
Elton John's Tumbleweed Connection and Cat Stevens' Tea for the
Tillerman. Something about it tells me this is good honest work at a level
the artist may not reach again (which, for me at least, turned out to be the
case with Tumbleweed and Tea - I hope not in Teng's case).
Teng's melodies flow, the harmonic structure is adventurous in
parts, and the classical instrumentation (piano and strings) suits the
seriousness of the subject matter well.
I can't remember the last time a pop album
affected me this much. But then again, this isn't really pop music. It's Teng's
art, and you don't know if it's going to heal her or send her over the edge.
Don't let any disturbed members of your family near it. But for the rest
of us, it's sublime. 
Concert Dates

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