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 | Max Morath (ragtime entertainer and
music historian) (Part 1) - (Part 2) |
| Steve Reich (groundbreaking minimalist composer) |
| Flamenco! |
| Cowboy Songs |
| Celtic Harp |
| Musical Treasures at the Library of
Congress (Part 1) - (Part 2) |
| Music in Education |
| Top of Page |
| Gabriel Fauré (Part 1) - (Part 2) - (Part 3) - (Part 4) |
| Stéphane Grappelli (Part 1) - (Part 2) - (Part 3) |
| Jascha Heifetz (Part 1) - (Part 2) - (Part 3) |
| Alan Hovhaness |
| Yo-Yo Ma |
| Pat Metheny (Part 1) - (Part 2) |
| Ignacy Paderewski |
| Sergei Prokofiev |
| Ralph Vaughan Williams |
| Top of Page |
| Pirate Radio (rockin' the UK in the 1960s) |
| De-Lovely (the Cole Porter story) |
| The Soloist (homeless Juilliard prodigy) |
| La Vie en Rose (the Edith Piaf story) |
| Franco Zeffirelli's Romeo & Juliet |
| The Pianist |
| Bobby Darin |
| Forbidden Planet |
|
No.
7 - May 2007 with David Arbury and Asha Srinivasan blending old and new, electronic music, ambient, randomness, Indian music, special effects, silences, end of common practice |
|
No. 6 - June 2006 with Masatoshi Mitsumoto, David Rubenstein tone rows, serial music, quotation and derivation, rhythm as unifying element, narration, combining themes, thematic (motivic) development, arpeggiator, unity and contrast |
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No.
5 - May 2005 with Brian Wilbur Grundstrom, Gregg Martin extended tonality, keeping tonality interesting, serialism, losing/hooking the audience, Spanish dance forms, octatonic scale, following your ear |
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No. 4 - August 2004 with Sue O'Neill Johnson, Igal Myrtenbaum Latin music, direct and abstracted use of folk elements, avant-garde melody generation, form, creativity |
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No. 3 - January 2004
with Sue O'Neill Johnson, Ken Rubin inspiration, texts, minimalism, tone color, dissonance, key scheme, melodic line, jazz harmony |
| Veteran DJ Al Santos on the Business of Radio |
| Satellite Radio |
| Turmoil in the Music Industry (Part 1) - (Part 2) |
| Top of Page |
| Lorrie Goulet (contemporary American sculptor) |
| Top of Page |